Friday, April 28, 2006

Calculating Rms Of A Square Wave With Dc Offset

The will to power - a will to absolute (individual, childless) freedom?

A look at the Memorial of Saint Gianna Beretta Molla

"The Lord is the Spirit, and where the Spirit of the Lord is, there is liberty." (2 Cor 3, 17)

The Saint Gianna Beretta Molla is a unique example in our time, the incessantly on Christian values, feminism and the role of women, in a time when the debate on the pros and cons of abortion and the question is, how desirable it today really still a family is based on how much the children and sacrifice them for his own career thinking, are preferable to one's self? Sure: "No woman," says Ulrich Greiner in a TIME article Related Radisch firmly on an essay by Iris, "will make its decision depending for or against a child from the situation of the pension system and the view of the age pyramid And I did. can well understood that the colleague Radisch appalled by the bigotry with which a seemingly aroused public the problem of the lack of children simply unloads on young women, while in truth all of us. has now but Iris Radisch the real culprits identified, namely the men. "In other defends Ulrich Greiner," the "men and has the fault of you, but not further to the problem of children lack in yourself, which in my opinion is rather that the child no longer those positive role in the human race has, as it has long been the case. While it today as a threat to individualism, which under the cover of the trendy term is therefore of self-discovery, seen, they recognized all of humanity throughout history until a century ago as a blessing. Children, new people, today rejected as a threat to their own future and of space, which individualization is as deeply rooted selfishness, if not even realize there Narßismus. Today's selfishness shows itself especially in an excessive acting out a personality that is visible Nachaussenkehren an apparent individuality. But this individuality in truth a lie and is both an ancient reality, however, and thus the individualization of Indivuums no revolution, but rather a make fools of themselves is not detected. The truth but urges the "individual" in the mass and any "other-be-do" must fail because that is a complete otherness can never be achieved. Simultaneous want to withdraw into force and leads by a uniformed individual mass finally just at that never-ending "self-discovery and auto-detection trend" that prevails today, because you never can be quite different are the self. A no less important reason why people seem to know so little about themselves, and this is perhaps a failure of the Enlightenment, people always said only that they are "rational individuals", but not what they have to do with this formula, to them most say just how to be and not as they are. This does today now the (advertising) industry, much less tell you how we are to be adopted as well, but rather, we are like: we are too fat, we are too old, we take too bad a car, we smell bad, etc., after which we will be fooled that we are much better with certain products, which implies that the identity is actually described by possession and the "individual character" expresses. The question of the self is so often more a question of ownership: "What will I have?". Sequence of the entire customization process is an ongoing revival of the Individual and his personality with his possession, for purposes of withdrawals from the crowd, without which he will ever end.

Can this behavior, but immediately reject rate or even raise even understand? That can only be, because if you look at the globalized world keeps this in mind, the full competition, thus bringing mass unemployment and poverty may, it is understandable why employing a customization process that promotes the opportunity to stand out from the crowd to, just for the purpose of being different and thus increase the "market value". That it also has a growing Provokationismus must be almost mandatory. This phenomenon is not only a real individual but also carries over to all systems, such as the media to speak out different institutions by "individual" profiles when it comes to provocation to it eventually under the code word "brand" Republic of make, such as MTV shows the current example, the aptly says about himself: ". We are MTV we like to polarize, we like to provoke, we also like to scrape the taboos are core values of our brand.." Yes, that is modern and is in individualistic-oriented companies on a number of individuals transferred accordingly. Since the free market economy as well on a is individualism-based political-economic ideology, which is dominated by capitalist competition, it is in any attempt at a special, attention-grabbing individuality, and just so it is possible to survive around the plain. From this perspective, the assumption can be understood that the children receive is perceived as blocking, particularly but allowed to live independently on the background of an ongoing propaganda against the child and for the freedom of the (female) individual, for freedom, for liberty, to decide, may be able to do for the freedom of all, whenever you want to do it. This highlights a further point namely an increase in swallows its pride in the freedom of ideology, the attempt to achieve a freedom that can not be achieved that is worth to investigate itself. This, therefore, attempting to complete, for the autonomous, yes to freedom freedom and the will to always do everything you want, this pure egoism, which is to some, a will to power (which must in turn restrict the freedom of others), go hand in hand. But man is not "condemned to freedom" (Sartre). You see, we are running into deep wounds of a modern, enlightened society shaped their investigation, I now want to run, however, as they would extend almost immeasurably.

So back to the actual starting point: the act of procreation, the evidence of children is thus with the increasing modernization has been a taboo, since it conflicts with the excessive or misdirected claim to freedom, so with their own selfishness in the conflict is. (But I will by no means saying that women who take the liberty given them claim to have children, generally selfish act, or even worse people.) Accordingly, tools invented to prevent the ultimate purpose of reproduction, since one to forego the act itself would not. A shift in values has taken place and no evidence the children is viewed as earlier, where one is raised to the expansion and thus ensure the existence of the family was proud, but the mere act itself, or rather the pleasure resulting from it. A previously unknown separation of reproduction and sexuality that go together in fact deeply has since taken its course. The child, the man should be in the future, so now something planned, which is under the control of reason, which the child is a mere product and sexuality is interchangeable, as finally the man or the woman herself

Just so for freedom: " you were called to freedom, brethren only take. freedom is not an opportunity for the flesh, but through love serve one another. "(5:13) it says in the letter to the Galatians and will probably clear reference to our previouse issue. The freedom seems limited so if it is misused for evil. We are certainly free to do so is evil, but .. do that separates us, a piece of the freedom of God, who is a totally free This is obvious because God is quite free to do in his, and who is in Christ, in his freedom is why we are also warned: " For freedom Christ has freed. Stand fast therefore and do not be again impose the yoke of bondage! "(5:1). The will, the hunger for freedom is the people settled, as we have noted above. Freedom is not to separate but the truth. " truth and freedom are combined with each other or they perish in misery. " (Fides et Ratio, n. 90). Freedom is not simply the ability to make indifferent or exchangeable decisions. It is focused on wealth, a fulfilling life that the person must be with the exercise of their freedom, but in "right way" (Recta Ratio) conquer. Freedom finds its meaning and consequently their truth by itself, is organizing in accordance with the nature of the human person, on their own goal. Consequently, the freedom inseparably bound to the truth of man created in God's image and is particularly strong in the love of God and neighbor (cf. Fides et Ratio).

This love for God and neighbor, the St. Gianna Beretta Molla has lived all over. In which she said "Save the Child", gave himself entirely to his neighbor, for her child. And when she said "Jesus, I love you", took it in simple words, but completely the love of God to their expression. In it, the Saint Gianna Beretta Molla be our role model.

It Hurts When My Bf Put His Finger In Me

In brief - 28 April 2006

Gedanktag of Saint Gianna Beretta Molla

"There is no greater love than to lay down his life for his friends." could come (John 15:13 )
" Terrified, check that the little creature in her sick Schoβ to the world, they assailed God marked that this is not done. A few days before birth , all in reliance on divine providence, it is ready to give their lives to save the life of her child: "If you decide müβt between me and the child, no fuss: choose - and I ask - the child . Save the Children! ". On Morning of 21 April 1962, Gianna Emanuela brings to the world and on the morning of the 28th April, despite all efforts to save the lives of both, in indescribable pain, again and again " Jesus, I love you, Jesus, I love you " pronouncing it dies, 39 years old. "

On May 16, 2004, canonised Gianna Beretta Molla in the presence of their daughter, Gianna Emanuela of Pope John Paul II and was the last saint in his pontificate

(Source:. http://www.vatican.va/news_services/liturgy/saints/index_saints_ge.html )

Saturday, April 1, 2006

Invitation Wording Paying -wedding

The music on the Cape Verde Islands

The Republic of Cape Verde is six hundred miles from the coast of Senegal entfertnt. It is divided into two groups of islands to the windward Barlavento group in the north and in the lee Sotaventos located in the south. The Cape Verde islands consist of Antau S., S. Nicolau, S. Vicente, Sal, Boavista, Maio, Santiago, Fogo and Brava were up on 5 July 1975, the day of national independence, a Portuguese colony.
The islands were discovered in 1460 by the Portuguese and were not yet settled. The islands were used as strategic positions throughout the voyage. Free Europeans and slaves of the West African coast, merged into a nation with its own character and way of life. 80% of the population is mestizo, 17% black, 3% White. The spoken Dialiekt is Creole. The Kriolu-language shows from island to island, subtle differences: On the island of Brava is the most similar to the Portuguese, on São Tiago WHILE the Creole is very Africanized.
During the five hundred-year-old Beset by the Portuguese was ignored completely the development of the islands. Poverty and famine ensued. Many islanders emigrated. Only about one third of the island residents living on the islands. The rest live in the U.S. and Europe. Almost every family has a relative living abroad. The separation and the longing is the characteristic of Cape Verdean music and youthful culture.


Morna

The music is an integral part of Kapverdaner. Morna is a genre of Cabo Verde, which is located on the island of Boavista.

The Morna can be characterized as follows to:
· Moderate tempo in 4 / 4
· sung or played legato melody
· Syncopated rhythmic accompaniment of the "cavaquinho" (four-stringed guitar)
• The rhythm is similar to the Cuban Habanera
· melodic variations and rhythmic support by violin and guitar
• The bass line is the guitar played
• The pieces are mostly in a minor key

Until the advent of electric instruments Mornas were accompanied by ensembles of various sizes. Containing a guitar, often a violin, sometimes a bass or a piano, rarely, an accordion. The high sound that is a distinguishing feature of many Mornas comes from the Cavaquinho, a four-guitar, an instrument that Portugal and Brazil is widespread. Another instrument is the twelve-string tenor guitar, the "viola". It is slightly less than the guitar. In the contemporary Mornas the trumpet, saxophone, clarinet, electric guitar, piano, synthesizer and strings are used. Often, an instrumental interlude.

usually come from the following chord progressions: • In the
- IVM - In-V7 - In
• In the - V7 - Im - IVm - I - V7 - I • In the
- V7 - IVm VII7 - In-VI-V7 - In

The focus of Morna are the lyrics. Morna can prove to be a poetic Text satisfy themselves. The "maniha" Morna was the similar shape, which can be heard but rarely heutzutäge.

include the texts of Morna following topics:
• the isolation of the islanders
· Most serious and sad topics which are expressed very poetic
· "Sodade" which kriolische word "saudade," yearning and homesickness
· longing for the distant "cretcheu," the beloved
· about the beauty of the beloved
· over the pain of separation
· over the hardness of fate

The Morna has been in the 19 Century from the Portuguese "Fado" and from the Brazilian "Modinha" developed. The word Fado comes from the Latin word "fate", which means fate. The Fado includes Arab elements and is based mostly on the minor mode. Also in the Fado are particularly the pain and the "saudade" expressed. The Modinha is from the Italian opera arias of the 18th Jahrhundets. "Modinha" is a diminutive of "moda", the name of an old Portuguese songs. The classic
Mornas are in the 18 century were composed by the composer Eugenio Tavares. This species is still composed today, and composed. Eugenio Tavares was born in 1867 on the island of Brava. He Morna is the most popular composer and also a romanticized figure in the traditions. His fame rests mainly on the fact that he was one of the first who wrote the sophisticated poetry in Creole instead of Portuguese. Tavares Mornas deal with the suffering and spirituality of romantic love, as he describes in "Força de cretcheu" and "Vida Bo luz sem. "O mar eterno" is an autobiographical Morna of Tavares, which was inspieriert by an impossible love for an American. "Hora Tues Bai," The hour of departure is one of his most famous compositions, which was traditionally sung in the shipyards of Brava, when people an Bord der Schiffe nach Amerika Gingen. Als starba Tavares 1930, wurde er zu einer von seiner Ruhestätte riesigen Menschenschar begleitet. "Mornas and Manijas" ist eine Sammlung von englische von Osorio de Oliveira Tavares bekanntesten Warm-Texten.


Sodade - Luis Morais / Cabral Amandio

Who shows' bo Ess
way away? Who
shows' bo Ess
way away?

Ess way
Pa Sao Tome

Sodade, Sodade
Sodade
Dess nha land Sa Nicoloau

Si bô 'screvé' me
> M ta 'screvé' be
Si bô 'screvé' me
> M ta 'Screven' be

Sodade Sodade, Dess nha terra
Sodade
Sat Nicoloau

Até dia Qui bô
volta


homesick

who accompanied
up on this long journey?
who accompanied
up on this long journey? Sodade

The trip to Sao Tome


Sodade,
Sodade
In my country São Nicolau


If you write me I'll write you forget me
major
If I forget you Serd

Sodade, Sodade
Sodade
In my country São Nicolau


Until the day you come home at the

Cesária Évora Morna made the world-famous. They came in 1941 in the city of Mindelo, Sao Vicente island in the world. It is the "Barefoot Diva" because it traditionally occurs without shoes. This is their sign of solidarity with those who stayed behind with the ragged children in the interior of the islands, ie, a trip to Praia, the capital of the small island of São Tiago remains a dream. In 1988 she was invited by the Frenchman José da Silva kapverdanischen roots to Paris, where they met 47 years ago was famous all over the world. Cesária Évora Morna compares with the blues, as she believes that both genres EXPRESSLY the pain of life.


Coladeira

stands in contrast to the Morna "Coladeira", a couple dance, which is lighter and is listed at a faster pace. The origins of Coladeira lie in the Caribbean music like Beguine, cumbia and calypso.


Other styles: Batuko, Finason, Funana and Tabanka

The genre, which go back to African origins, are "Batuko", "finaçon", "funana" and "Tabanka. These styles are characterized by the following features:
· rhythm more than melody highlighted
· Question and answer 'format
• Simple harmonic structure
· open, loud singing without vibrato technique

Batuko, Finaçon and Funana developed from denTabanka rites that were celebrated by the UAF Badius São Tiago.

Batuko

Batuko (reminiscent of the word "Batuque" of Brazil) will be presented in Santiago of women's groups. A woman heads the ensemble, the songs in question and answer contends. The group formed a circle and accompanied by either binary or ternary rhythm by a pillow between your knees clamped or bolts of cloth ("tchabeta) knock, by clapping of hands or by monitoring Friktonsinstrumenten like" ferrinhos. The superposition of different rhythms form themselves into a polyrhythmic pattern that is typical of the Batuko. While the group singing, dancing, at least one member in the middle of the circle. This dance, the "torno" is called, consists of rapid pelvic movements, which are underlined by a sash. In the past, was to accompany a one-stringed fiddle Batuko of West African origin, "cimboa" played.

Finaçon / Finason

Finaçon emphasizes a rhythmically spoken words and is closely connected to the Batuko. A Batuko session often begins a Finason me. The difference between Finason and Batuko is that not Finason is accompanied with dances. When Finason with one person before in a rhythmic way a longer story, while the ensemble knocks a fixed Rhyhtmus. Both in the Finason and the singers who have Batuko parables or allegories comments before about issues that are of interest to the community. At the same time they perform the function of historical informants who report details of events, people and families.

Funana

Funana is a musical based on the accordion and is distributed in Santiago. There are popular folk and electronic versions. Traditionally, Funana with a diatonic accordion with buttons, which are divided into two series, played. Usually, two musicians playing the accordion: during the united accompanied the singer, the other doubles the vocal melody. Funana is played at a fast pace in 4 / 4. The harmonic change usually takes place between two adjacent chords, like Am-G (A minor and G major). Funana is a partner dance, similar to the merengue of the Dominican Republic is danced, that is with strong pelvic movements. Funana was a national symbol of the Cape Verdeans understood as resistance to colonialism.

Tabanka

Tabanka has mutual aid through the religious communities in Santiago and their activities. Tabanka looks a little bit of the Carnival: On certain holidays, the people dressed up and slips into the roles that existed in colonial times: Queen, slave, master of the house, etc. The parade is accompanied by Batuko music.


New Development: The Funacola

Funacola is a fusion of Coladeira and Funana. This is a new development, of living in Praia and Paris Group Finaçon was made popular.

Bose Onkyo Harman Kardon

Solmisation

Solmisation in the strict sense, the way the notes of a melody at the rehearsal of the syllables of the hexachord (Sechstonreihe), which attributed to Guido d'Arezzo must be supported. In a broader sense it refers to any method, vocal music with certain syllables, which are represented by the different stages of a series of notes to sing.

The Solmisationssilben called DO-RE-MI-FA-SOL-LA-(SI or TI). These syllables are from the first six half verses of John's hymn "Ut Queant laxis", the text of around 800 is:

UT Queant laxis (c)
Resonare fibris (d)
Mira gestorum (e)
FAmuli tuorum (f) Solve
poluti (g)
labii reatum (a)

Sancte Johannes.

The hexachord was at the time of Guido D'Arezzo Solmisationseinheit. A hexachord was a tetrachord won, which were above and below each another sound added. DO UT originally for the syllable was used. Each initial syllable of the hymn begins on the next higher level of a C-major scale, so that the singer was noted with the same syllable the pitch.

Solmisationssilben the melody come through the intervals and can be expressed simultaneously practicing unknown melodies to train the voice training and pronunciation. This is one reason why this method found wide use and has still found.

the singing syllable is already delivering the pre-Christian era and even in non-European cultures, this method is common. Here are some Examples:

Bali:
Ding-Dong Dang-Deng Dung Dang-Dong

India:
Sa-Ri-Ga-Ma-Pa-Dha-Ni

Arabia
Dal-RRA-Mim-Fe -Sad-Lam-Sin

The Greeks have the diatonic tetrachord (efga) designated by the following syllables:
ta-th-tw-te.

It expressed the syllables ta and th in the half-step. Guido D'Arezzo

could prove the relationship of the hexachords ca and GE. Each tone of this series has within the hexachord in relation to its position to other sounds the same property, the "proprietas. The notes e and b have to be a semitone and two whole tones. This property with the syllable could be expressed and symbolized MI. This method quickly found a wide distribution and was until the 13th Century formed. Guido D'Arezzo had considered but not yet the double step h / b. The b was taken into account by fd has been placed in the series. The singer thus employed the following three movable Sechstonreihen:

naturale Hexachordum: approx durum (with h)
Herxachordum: ge (with h)
Hexachordum molle: fd (with b)

When the volume of hexachord was exceeded, solmisierte the singer with the two hexachords on c and g, that the singer had to go to the next hexachord. This Process is called mutation. Occurred when a b, we combined the Hexachordum naturale ca molle fd with the Hexachordum.
In the textbooks, the intervals (distance between two tones) through the Solmisationssilben expressed and numerous rules adhered to mutate at what stages you had and what mutations are theoretically possible on every note. The ('on every note a need to sing a Fa ") with famed musicologist rule" una nota supra la semper est canendum fa ", says that when crossing the hexachord to only one stage to sing always be semitone. Specifically, this means that for example if the Hexachordum naturale ca, the a is exceeded, b must be sung. The melody then runs mostly down again. Another ban was the use of the tritone. and the diminished fifth. The mnemonic was to "mi contra fa diabolus in musica", "Mi Fa against the devil in music". What does this mean exactly? Between Mi-Fa So ef but is a semitone difference? The solution is simple: Mi is the third stage of the Hexachordum naturale ca, so e and Fa is the fourth stage of Hexachordum molle fd, ie b, meant. The interval eb (or vice versa) is a tritone (# 4) or a diminished fifth (b5). In the Middle Ages, this interval is combined with the devil, and therefore it had to be absolutely avoided. This Interval is actually unstable and resonant for contemporary understanding of music is very dissonant. We'll hear very different also because the intervals are "emancipated" in the course of music history and because the major-minor-Tonal music the musical vocabulary has expanded enormously. The tritone interval is eg that which makes the dominant chord such an exciting.

This system of Solmisation proved to be problematic in the 17th Century, especially when occurring in the melody of Guido D'Arezzo fixed tonality, bigger jumps and chromatic semitones were interspersed in the melodies.
The first reformers tried the first hexachord to extend to the octave. 1482 took Ramos de Pareja attempt, a major theme for the eight syllables Psalms-Li-Tur let sing-Per-Vo-Ces-Is-Tas. This proposal did not succeed.
It seems that in the 16 Century, the SI for the 7th syllable Stage by music educators H. Waelrant was introduced. Waelrant is said to have invented the syllables Bo-Ce-Lo-Di-Ga-Ma-Ni. This system was "Bocedisation", named after the first syllables of the system.
1601 J. Burmeister is for the 7th Stage, the double syllables SI for h and SE for b. This system was well received among the theorists, but have been repeatedly proposed new systems and developed or returned to the traditionalists Hexhachord. Developed in 1659 O. Gibelius a system for chromatic notes, which he changed the UT in today's DO. Gibelius' system consisted of the following syllables:

DO-RE-MI-FA-SO-LA

Additional syllables for chromatic tones:

C #: DI
D # / Eb: RI / MA
F #: FI
G # / Ab : SI / LO
B: NA
H: NI

One must be aware that in that time has not tempered the system was introduced so that the high and Tiefalterierungen was not possible to include all the notes. In the 19th

and 20 was taken up by the revival of the school song, the system of Gibelius and developed. Today, for the type High alteration of vocal # i, for example, DO # = DI, and for the flatted b uses a vowel, eg REB = RA. Since G # is high by alteration SI, you used for the H, the syllable TI.