Caboclinho
collective term for some dramatic Mestizentänze, with sophisticated choreography, which belong to the group of "pastoris" and at the time of Carnival in Paraíba, Pernambuco and Rio Grande do Norte is danced. A distinction is purely vocal and instrumental forms, which are generally accompanied by "PIfE" and "Zabumba. Sometimes, to be accompanied by "Taro" and "caracaxá" are used.
Caboclo
first Dramatic folk dance of the area Itaparica (Bahia) and are linked in a modified form of Ceará, in the Indian and Creole components.
second Indian-Creole ceremony of some regions of northern Brazil, in the supernatural beings are called.
Caiapó
The dramatic dances "pastoris" belong Santander folk dance of religious signs of inspiration, now, however, not widespread yet.
Canção
General term for many sung compositions. In Brazil, there are several hybrid forms, the slow, good singable version of certain dances, such as "samba-canção.
Candeia
folk dance, the group of "fandango" belonging.
Candomblé
See separate article.
Canje
folk dance of the State of Minas Gerais. He is from the mixing of African un emerged Creole elements and is usually accompanied by accordion ("Sanfona").
Cantiga
In the Middle Ages famous poetic composition, in the Galician-Portuguese Cancionero cultural heritage of the XI. - XII. century and was mentioned by transculturalizes Enteckung America to Brazil. The content ranges from secular to religious themes to songs that have their origin in turn in the Gregorian chant and popular songs trovadoresken are very similar. Today there is a "Cantiga" as a popular song in Brazil as in Portugal.
Cantiga de cego
romantic blind singer already put forward by Brazilian or Portuguese lyrics Character.
Cantiga de Ninar
collective term for all the Portuguese and Brazilian lullabies.
Canto de trabalho
In Portugal and Brazil, mainly in rural areas of common song, which is a soloist and / or sung in the choir at work. The rhythm fits into the plot and will work towards unity with her. It is used to stimulate performance.
Cantoria
collective name for a folk tradition in the field of singing trovadoresken of northeastern Brazil, the singing, and the poetic form sung in dispute between singers; closely with "literatura de Cordel" and the "romance" connected. Carrier this cultural manifestation is the "Cantador. Accompanying instruments are the "violation" and the "Sanfona. Topics are feats, strange events, religious events, comical, satirical, and juicy stories, historical and local events, love, etc.
Capoeira
See separate article
carimbo
as "dança de roda" (circle dance) in Marajó , Belém and Parà listed dance. For this we are seven sings a Versgesang. We distinguish three types of carimbo "carimbo praiero" which is common in the area of Brazil: "carimbo pastoral" in Soura or Marajó and carimbo rural " in plantation areas on the lower Amazon River, Santarem, and Obodos Alenguer. serve as Belgeitinstrumente "reco-reco", "raspador", "Xeque-Xeque" and a drum of the same name ("carimbo").
Carioca
first Term for the inhabitants of Rio de Janeiro.
second Brazilian popular dance that originated around 1931 in Rio de Janeiro. The composer José Luis de Morais is one of the creators of this dance combines the elements of samba and Cuban rumba.
Cateretê
Afro Brazilian folk dance in 6/8- or 2/4-time, which is in São Paulo, Rio de Janeiro, Minas Gerais, Mato Grosso, Goiás distributed, Sergipe and Bahia. Men and women dance in rows opposite. It is a special version of the "Batuque" that the "umbigada and choreography of the" Quadrilha contains. The dance is accompanied by song and instruments "viola", "reco-reco", "rabeca", "Zabumba", "pandeiro" and "maracaxá.
Cara
folk dance, regional version of the "fandango."
Caxambu
In XIX. Century, the samba-like dance that was performed with drums and was common in the areas of Itaperuna (Rio de Janeiro).
Chiba
folk dance that is not the "Xiba" is identical.
Choro Choro has in the Brazilian popular music several meanings. This is mainly instrumental music, but can also be sung.
In general, a state called choro instrumental ensemble where a member of the group is soloist. A typical cast in the second half of the 19th Century. consists Cavaquinho, flute, clarinet, trombone, guitar and percussion (pandeiro and Tamborim and "prato e faca", ie a metal plate, which is rubbed rhythmically with a knife).
with "choro" are called ensembles which have developed around 1870 in Rio de Janerio. One of the earliest and most famous "choro" are by the flutist Joaquim da Silva Antonaio Callado (1848-1880) founded. In the 20th
Century. combines the term choro with other urban dances of Brazil as Maxixe, tango and samba brasileiro. An important common feature of these dances, the syncopated binary Rhyhtmus. Furthermore, these dances differ primarily in the best estimation of the instruments.
forth in the 1930-and 1940-does he's the "Velha Guarda", whose leader Alfredo da Rocha Viana (flutist, saxophonist and composer), especially today as "Pixinguinha known, new approaches to improvisation and variation initiates the choro.
Ciranda
first Round dance that is performed by children. The boys and girls and to take hands and dance in a circle. A child takes in the middle of installation, in a certain sequence, we carried out its position by another girl / boy.
second The group of people dancing samba counting, which is common in many parts of Brazil. Regional variations are "cirandinha", "Sarandi" in Goiás, "serandina" in Minas Gerais. The central figure is the "cirandeiro" that certain texts sings. Monitoring is through the instruments Bumbo, "caixa", "Ganza", "Zabumba", sometimes also flutes, clarinets, trombone or saxophone accepted.
Coco Coco is a popular dance from the coastal area of northeastern Brazil, especially the coastal part. In the inner part, in the "Sertão", the "CORETO" typical. The choir or chorus responds to the "Tirador de coco", also called "coquiero. The African influence is clear, and also influences of the indigenous Indian tribes of the Tupi, who live on the coast, are observed.
was used to dance the "coco" in Pariba Alagoas and even in the halls of the well-off society. Here he was often called "samba", called "pagoda", "sambë" or "bambelô. Between
Paraíba and Rio Grande do Norte, it is common for men and women form a circle. In the Center is a soloist, singing and dancing makes characters until it prompts a new soloist with a "umbigada" (Beck movement) or with the pounding of the foot in the circle. The instruments used are mostly only of percussion, "ingonos", "Cuíca", "pandeiro" and "Ganza", and the poorer classes are simple "caixotes" is used (as a drum
There is an incredibly large variety (?). of "cocos": The "coco" gets its nickname ever after 1
accompanying instruments: For example: "coco de Ganza", "coco de Zamb,
From the second form of the text (?):" coco de décimo "(ten lines) "Coco de oitava (Achtzeihler)
third From the place where he is listed: "Usina de coco" (Fabrikcoco), "coco da praia" (Strandcoco)
is the form of "coco" in a chorus and a verse. The verse can be improvised. The chorus can be either the beginning or between the verses, he found, however, is always fixed, which is a typical feature of "coco". The best stanzas of four lines, each containing seven syllables. The singing is syllabic. The "coco" Most come in 2 / 4 before and striking is the syncopated Rhyhtmus.
Congada
The group of "pastoris" belonging dramatic folk dance where the syncretized were African and Portuguese-English elements and traditions. It is usually given in honor of the patron Saint Benedict for the "Festa of the Nossa Senhora do Rosário. This epic verses are sung. The musical accompaniment drums (tambores "," caixa "), various versions of the" Chocalho "and the" violation "is used. The 1760 first mentioned "congada" will be performed primarily in front of churches and other religious sites, with different dramatic scenes, including the crowning of the kings of the Congo, are shown.
Coretos
"Coretos" literally means small choir. A typical hard in Mina Gerais, in the town of Diamantina consists of a drinking binge, which is accompanied by the "coretos.
One of the most famous "coretos" means "Peixe Vivo", which was during the election campaign for the presidency of Juscelino Kubitschek as famous as he was from Diamantina.
Corriola
folk dance of the State of São Paulo. Men and women dance in slow waltz step in a circle to the sound of the viola a "mestre" (Masters) above musician. The last part of Mestre sings in the form of a little verse tailored to each person present sentence. No one may leave the circle without having applied the offer by the singer as a round of brandy to spend, recite a prayer or as a pig satisfied grunt. Corta-Jaca
This term has three meanings: first
A regional variant of the Samba, in the rural areas of Rio de Janeiro and Bahia is listed.
second By the composer Francisca Gonzaga (1847-1935) in 1897 created variation of the "tanguinho.
a regional version of Samba de roda in the area of São Salvador, who is accompanied by the "violation".
Curitibiano
folk dance from the region of Campo Largo (Curitiba, Paraná). Its origin lies in the "fandango." He is a round dance performed mainly by unmarried couples.
Cururú
round dance in 2/4-time. He is running in the rural areas of São Paulo and Minas Gerais. He is now, however, almost forgotten. This dance was accompanied by clapping and Schuhplattler (sapateio ") and singing. Suitable monitoring instruments "Manchete", "adufe" (this instrument was made in Portugal) and reco-reco "was used.
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