What Colour Tie To Wear With Grey Shirt?

ordained in 2006

Cardinal Dr. Christoph Schönborn inaugurated on 23 June, the Solemnity of the Sacred Heart of Jesus' five Deacons by 16 clock in Vienna St ephansdom priests.

I want people not to consecrate that it exclusively as a sacrament of donors in the community towards commute and and stay only in the sacristy. I hope for the Church of the future no lay people who are immature in matters of faith. I want communities and priests who make themselves together on the path of faith. (Bishop Franz Kamphaus)

MMag. Seweryn Maksymilian Bojanowski
born on 23 October 1969 Gdansk (Poland)

Mag Oreste Da Rin Floretto
born on 21 October 1973 in Padova (Italy)

Dipl.-Ing. Andreas Kaiser
born on 20 November 1972 in Reichenau an der Rax

Wolfgang Polder
born on 15 July 1949 in Vienna

Mag Jesus David Villalobos, Jaen
born on 15 January 1975 in San Fernando (Spain)

(from "The week in St. Stephen")

Korean Moie The Hypnotized

feast for the transmission of the Holy Spirit - Pentecost.

Completion of the series "One must always pray."

" It is good for you that I go away " (Jn 16:7). Those were the words of Jesus before he left us. So he showed himself the way his last meeting with us and shows His last meeting, the everlasting togetherness that He has all of us prepared for the eternity of eternities.

"And behold I am with you always ..."
we believe it? Do we feel really that "favored"?

"If I do not go away, will come not even the Comforter to you. ... If I go away but then is he, the Spirit the truth ... He will guide you into all truth "(Jn 16.7 to 13). Let us take these words as a promise? Or just as pious consolation? As a nice fairy tale? Or do we believe it is true?

Qui diceris Paraclitus - Come, Comforter, which draws the heart. This comforter this spirit of truth, this Companion, we are announcing the - we have become ever aware of His presence?

" He it is who we can call: Abba, Father " (Romans 8:15). But how many times we have been really satisfied that we have a father? How many times have we actually felt as sons of God as sons and daughters? Without Him nothing would be the religion as a set of obligations without the possibility of becoming a hollow prayer, sacraments ineffective, a boring show, content and pointless. He is the one who cost us the things of God, Check the taste to leave them. But we relish them?

"O God, who hast enlightened the hearts of the faithful by the breath of the Holy Spirit, give us through this same spirit of the lasting taste in things God and the constant joy in the presence of the Comforter Spirit, through Jesus Christ our Lord. " (Prayer to the Holy Spirit.)

Only the children of the house have the desire to know everything that goes on in the house. The Strangers do not take care of this. But the sons and daughters are interested in everything that happens in the father. If we are not the spirit (of childhood) have God, then the things of God are of no interest to us. They "tell" us anything. How many Christians do not like the people that St. Paul undertook to convert to confess: "We have not even heard that there is a Holy Spirit" They called him by name, for sure, hundreds of times have, and that "Amen," So be it, "set behind it. But have you ever considered that they spoke of the fountain of life itself? The fact that they just mentioned, is exactly the same is that they had opened up the lips so that they could call him at all? Do these cooled people to be invited in as cold sermons, "her Easter keeping," ever heard that there is a Holy Spirit - a spirit of love, of the change, compassion, joy, fraternal solidarity - in the incorporated, with which they are to combine, they will keep forever with the others, in one body? That this is the same church? That you just find this spirit in order to have "kept Easter" really? When St. Paul this "life of the mind " (Life of the Spirit) the " life of the flesh " opposes (Romans 8.9-14), he explains the fact that it is impossible to belong to Christ without changing our normal lives. "If Christ is not a spirit, he does not belong to Him."

The Holy Spirit is the origin and source of the incarnation of Christ in every Christian, as He has been originating and source of the Incarnation of Christ in the womb of the Virgin Mary. That the Holy Spirit dwells in us, as true as the incarnation of Christ. The historical incarnation of Jesus continues and culminates in a spiritualization of all humanity.

Pentecost has revealed that God is not for thirty-three years, but is always made flesh. He that what makes his life (that is, His Spirit of Love), shares with us forever. Pentecost - that is the prelude to the irrevocable, perpetual presence of Christ here in the world. And where is He? In the humanity of each one of us. There He is now continuing his work - the work of the Incarnation, the Redemption. Incarnation of God, salvation of the World. That the spirit of Jesus lives in our hearts, is probably more significant than the historical incarnation. Pentecost seems to be a g Ewalt event than Christmas. For in the Incarnation - God became man as we, God is a human. At Pentecost but the people are called to be "God." God has reduced inclined not only to us, but He also wants us to raise up to Him. The revelation of the Gei stes is much grander, more prominent than that of the son. The Incarnation of the Son was in the dark, at night, in a stall.

Pentecost but burst like a bomb into the middle of the day, and hundreds of people witnessed this transformation. This was not God who was in distress and suffering to the people, but a whole crowd of men who, flooded with light and full of delight "God" are. "You will do greater things than I": Jesus thinks of the church, if he predicts this. The uniquely original work of the Spirit is the Church. "If you knew the gift of God!" This gift is the Church. altissimi donu m Dei - assistance which gives the father. God to man in man. Connected to the people. What is the best that God has? His spirit (of love). He joins us. He lets us participate in Him. And by the merger of those who have received Him, arises and grows the church. When Jesus tells us that He will send His spirit of love, He withdraws not, but promises us that links us most closely with him.

Where will we find Him? Where we have to find him? The father had been revealed in the Old Testament. He was betrayed misunderstood. "After he several times to our fathers had spoken through the prophets," But Jerusalem killed the prophets: " They beat the one, the others killed and the third they stoned. Finally, he sent his son to them "(Mt 21.35-37). The son has been revealed in the New Testament, and when He revealed Himself, He revealed the Father (" Who sees Me, sees the Vate r"). Then finally we were the Holy Spirit - in church - sent. He reveals to us the Father and the Son, and His own power of love - the spirit of sonship (Romans 8:15) - which reveals to us the Trinity, not just us into it. " Father, You in Me and I in them " said Jesus, after He had announced to the Holy Spirit. And indeed, this is the work the Holy Spirit: " that they are one, like you and me, Father, are one " (Jn 17:11).

And that is the task of the Church, all those who speak like Maria her "Fiat" means that the word is in their flesh. Most of those in which a "new man" through the Holy Spirit was received. Because they are ready. Because they can be distinguished from that spirit of sharing and pack of love. The spirit of communion.

The Holy Spirit is the giver of life of the Church, her Spiritus rector. He it is who they constantly re-creates them "from all four winds," her tireless collected. He is the one who despite all obstacles means that there are people who love each other, " grieve the Holy Spirit, in which ye are sealed on the day of salvation ... Be kind and compassionate to one another rather forgive each other and "(Eph 4,30.32). " All who are led by the Spirit of God are sons of God " (Romans 8:14). Anyone from the community of brothers - the spirit of community - keeps is not son. Wherever two or three are gathered in His name, He is among them. In His name - that is to say, in His Spirit. It is always the same tone: ". Father, that they may be one as We are one - one in Us," It is not a valid community as you. And there is no valid agreement with you than with community. To many. Closely connected.

"And ye shall know that I am the Lord ... if I give you My Spirit, that their lives and grant you peace in your land." (Liturgy of Holy Saturday) This quiet, that's the joy of Pentecost - in contrast to the confusion at the Tower of Babel - the joy of Pentecost, at that people with a blow to true love, for true mutual understanding are awakened. And that means that helps us to understand the neighbors? Love. "Each one heard them speaking in his native language." It is not as a linguistic tour de force, but the charity is to us so walk that everyone got along, loved, happy, feels close to us. "You know what spirit you are!"

One must be careful that we called the "Comforter" one gives the Holy Spirit, not in favor of our individualism (that is our sin) falsified. When Christ was still together with his apostles, the apostles were shaken up a lot more often, "comforted" as. The consolation is the mutual love. It is not a question, every time we "hurt" about the "ingratitude" of our brothers are still resorting to a small, discreet chapel and there to complain to the Lord that the Holy Spirit comforts us about our lack of love . We go to the Holy Spirit (of love) only by love. The consolation of the Holy Spirit is giving us constantly and always again gives the power to love. His work is not to this or to enlighten those but to revive and build up the Body of Christ. The conditions for the gift and the power of the Holy Spirit Community provides essential. It is involved in the mutual love of the believers as the Spirit of love and of fraternal unity. The Holy Spirit, who turns to the Father the Son and the Son of the Father, must also turn our attention today. How difficult it is for us to find the worship of a God made flesh ready! When you sing the Credo, one bends at the words "and became man." "Homo factus est" - "God made man." He is ... this neighbor has become, which is too close, as we may pray well. But what value is our prayer, when we turn our backs to him in order to seek Him where He is not: in our solitary confinement, in our spiritual inwardness, "Jesus and me in a bottle." Corked Good! We Magnify bt her face in her hands to comfortably enjoy their personal little holy spirit. Happily these deaf blind! You do not hear the unpleasant calls this meat, which is but may not be quite sure that the word was tied up in it. Still kneeling, if one says to the Whit Fair: "Veni Sancte Spiritus tui amoris est ... in ice ignem Accende. "- Come Holy Spirit ... and kindle in them the fire of your love.

Here is incarnation. He has sunk in this Menschenteig, and so we must be happy about the fact that we can express our joy only lying on the knees. If we do not recognize God in man, then what to do with us. We sin by these pseudo-spirituality in the precise sense of the word "against the spirit" of us all these "things" must teach is the beginning of the Incarnation. Only when you belong to the other, is one of n ma Christ.

Free Realistic Mmorpg That Involves Furries

"You must pray at all times" - Part III

A meditation on Pentecost with pictures out

Christ wants us to make our heart empty, but fill it only with the divine order. This cleaning is and will remain incomplete as long as they do not have that divine fullness result, just as the divine life in us can not develop if we are not free himself from the creaturely things. The death of the ego and the life of God are inseparably linked; the one without the other is impossible.

Let us hear what Christ promises those who obey His Word! There are promises, He wants to fulfill every one of us, even divine impatience burns within him to realize it. " Who loves Me, who is loved by My Father, and I will love him and manifest Myself to him. We will come to him and take him home at " (Jn 14.21-23).

" will recognize her in that day that I am in my Father and ye in Me and I in you " (14,20). " I will ask the Father, that He may give you another Advocate to stay forever with you: the Spirit of truth. He will stay with you, and you prevail in "(14:16-17). This mutual indwelling, this fusion, this astounding one with the three divine persons is the lofty goal that is the souls right at the beginning of the spiritual life before . The eyes should make is the express wish and will of our Lord himself, it is not enough to inspire the souls for a heavenly goal: they must be in the kingdom of God to enter themselves and show them that their share of that here on earth and possession is: " The kingdom of God is within you " (Luke 17:21)

.

Outside this becoming one with Christ, our Lord, and the marital dealing with the Father and the Holy Spirit, which is the result, there is no a truly deep spiritual life, nor a supernatural fertility.
" Abide in me and I in you. As the branch if it is not on the W remains a tock, by itself can not bear fruit, neither can you, if you do not ir in M remains . I am the vine, ye are the branches. If a man remains in Me and I in him, that bears much fruit: for without me ye can do nothing. Those who abide in me is thrown away as a branch and withers, they are on streamlined and thrown into the fire where it burns. If you abide in Me, and my words remain in you, may you ask what you want, you will be given "(Jn 15.4-7)
The silent prayer of Christ united souls out. His wealth of life to live, is of sovereign power and importance. Such a soul was made not as it used to be only in prayer and thanksgiving. Their prayer is a continuous, full-sounding harmony with the prayer of Christ, which is only God's will.

" you will ask me about anything, because the Father will give you everything to whatever you ask him in my name " (Jn 16:23).
" I'm not saying you that I ask the Father for you'll e, because the Father loves you because you loved me and because you have believed that I came forth from God " (Jn 16, 27).
The Soul, which opened up all the divine words, which has included it in like the Blessed Virgin, is equal to this a seat of wisdom. It is the divine light of enlightenment. Very specifically our Lord promises of this kind of soul in which He will dwell with the Father and the Holy Spirit, this gift of the world unknown. " But the Helper, the Holy Spirit, whom the Father will send in My name, He will teach you everything and remind you of everything I've told you " (Jn 14:26). " Do not I call you servants, the n the servant does not know what his master is doing - I have called you friends;. Because all I heard from my father, I have revealed you " (John 15:15 ). " If the mind is the truth, He will in all truth "(Jn 16:13).

introduce this knowledge is already here in this space-time world ., started eternal life " But this is life eternal, you know, the only true God and you have sent, Jesus Christ " (Jn 17:3)
This recognition is not merely theoretical, abstract science, but. in fact, life and converted, realized wisdom, full of love, kindness, mercy and gentleness. streams of divine power Love you flood the faithful soul to her by others in countless souls from weiterzuströmen and then return to their primal source. The more the love of God in the reality of generosity and intimacy increases, the greater precedence over the soul of an ever-growing, deep knowledge, in turn, multi-again love. "Abide in my love ! " (Jn 15:9). If mind, will and imagination purified in this way and returned to its divine origin are recorded when the soul of the divine life and included in the same, she met the true joy. "The I told you so that My joy in you and your joy may be complete will "(John 15:11)." Your heart will rejoice, and your joy no one will take of you "(Jn 16:22). " I have told you, that you I have in the peace . Peace I leave with you, My peace I give you "(Jn 16:33, 14:27).

delighted in the simplicity and safety of a clear light to the last depths of the soul of the deified life . ineffable peace you experienced in the fulfillment of the last words of the priestly prayer: "That they were one, as You, Father, are in me and I in you, . May they also be in us so that the world may believe that You sent Me "" I am the glory that you gave me, had given them so that they may be one as we are one "(John 17:21 - 22).

Commercial Offer Letters

Tango

"El tango es un pensamiento triste que se puede bailar." - Enrique Santos Discépulo

"The Tango is a sad thought which can be danced."


I. Definition and origin

Tango denotes a pair of dance that originated in the region of the Río de la Plata of Argentina and Uruguay.

about the origin of the word "tango", there is uncertainty. In the 19th Century, the word "Tango" in Spain and Latin America in various types of dance, songs and joint festive occasions. Some researchers suggest an African origin of the term, with the general meaning of "African dance." Others derive from the medieval English word "Tang" or "taner", which so much "play a musical instrument" as or "touch something with your fingers" means. In 18/19. Officials from Buenos Aires century used the terms "zango", "Tambo" and "tango de negros" to describe the location where the common people were holding feasts and dancing. There was also a pejorative term to refer to a non desired "cakewalk." In the colonial era, Africans in Rio de La Plata referred to their drums.


II importance

The tango developed around 1865-1870 in the impoverished slums of Rio de la Plata, has been called the "Arrabal" or "Suburbio," and in the brothels of the port districts of Buenos Aires. By 1900, concentrated in the center of the Tango in the cafes located in the "Cafetín. In the following years the Tango finally gets international recognition. The Argentine Tango was a national symbol in the struggle for national identity in Argentina 20th Century: This dance has in fact accepted by all walks of life.

The early tango combined elements of the Gauchos, especially the improvised "payada" songs and the "milonga". The milonga is probably a dance of African origin in duple meter with syncopated rhythms that influenced the rhythmic structure of the tango. Another African element is the "Candombe" a neo-African dance from the region of Río de La Plata. From Candombe borrowed the Tango two major dance figures:

· the "corte", the sudden stop
• The "quebrada" the bending of the upper body

The three main forms of tango are:

· The purely instrumental tango milonga
· The instrumental or sung Tango Romanza
· The always sung and accompanied by various instruments Tango Canción

The fatalism is one of the main topics that will be placed on the tango lyrics express. Further, the texts usually speak of a pessimistic view of love, disillusionment, defensiveness against women, nostalgia, etc.
A major figure who embodies these aspects is the "Compadrito. The Compadrito is Don Juan, pimps, lovers, fighters and elegant in a dandy. He is the famous figure of the "hombre tangueiro," the tango man. Another figure is that of the stereotypical "milonguita", a dancer a dance club that is a prostitute.

The "Lunfardo" is a slang that exists in this underground culture and has influenced the tango letters.

stresses Choreographic the tango, the dominance of men over women. This is reflected in the active, strong and macho Role of the man while the woman appears submissive.


III. Structure

Musical Key features of the tango are:

• Three-piece, rare two-part form, tends to sections, each 14-20 cycles
• One or two major themes
· rhythmic design of the melody syncopated patterns to compensate with even
runs · Harmonious Development with strict tonal modulations to the dominant, subdominant and relative major or minor tonic
· Accompanying rhythm refers clearly to the Habanera
• The continuous bass line punctuated by the staccato sounds of the bandoneon and taken
· Up to 1920 2/4-time was distributed, after which the 4/4- and 4/8-Takt popular. Also, the tango waltz in 3 / 4 is common.
· The modern tango is characterized by complex rhythmic variations


In the 1930s, was known to the composer, violinist and orchestra leader Francisco Canaro (1884-1964) the "Canyengue" rhythm. It is a percussion effect, which was created by the beating of the resonance of the body or the Blaseblags bandonions with the hands or the violin or double bass or with the bow.


follows IV Tango Canción

Here is a text with a translation in order to exemplify the themes of passion, jealousy, love, Tango-Texte der zu zeigen: Passionate



Text: Mario Soto, Musik: Jorge Caldara, Entstehungsjahr: 1951

not know, you never know what's
die a thousand times
anxiety;

can never understand what that is loving and crazy.
burning your lips, your eyes

drunk and torture my right ... Sed

makes me burn and I turn on my chest with passion.
You nailed me, I feel beat

scorching my temples, I adore you when you
and

much I love you when you're away from me.
So I love you, sweet life of my life ..
So I feel you, only mine, always mine ... I have fear of losing
,
to think that I can not see ... Why
doubt that brutal?
Why do I have to bleed, every kiss
if you feel faint? However

torment me because I carry the blood;
and every instant, feverish and
lover I kiss your lips.
What will your look,
that when your eyes raise
me feel burning inside me
a voracious flame of love? Your hands untied
caresses that bind me with your charms
woman ...
I know I could never start breast
this love! Te quiero así siempre
... Estás en mí
clavada
como una daga en la carne y Pasional

ardiente y de ansiedad temblando
quiero morir en tus brazos.
German translation (by Jolanda)


Passionate

You will never know
What does it mean to die a thousand times
fear of having to
You will never understand what it means to love and
Something About Your lips are
that kindled
your eyes, the delight
And what my mind torture
thirst that can inflame me
And my heart with passion ignites
You are in me nailed
I hear barking up (?)
human consumption on my temples
I adore you when you're with me I love you
even more so when you're far away

I love you so sweet life of my life so I feel you only
my, my forever

I'm afraid to lose you
The idea that I not see you anymore ...
Why this brutal doubt? Why would I have to bleed to death
,
if I feel that you fall into a swoon at every kiss?

Nevertheless torment I
Because I carry you in my blood
In each moment I want you feverish and loving kiss
What is your view be
Because if you cancel your eyes to me
I hear in my mind a voracious cry for love?

unleash your hands caress me bind
At your feminine charm

I know, I can snatch for no more this love in my breast


I would always like you nailed me hard

like a sword in the flesh
fiery and passionate
While I tremble with fear
Do I want to die in your arms


V. ensembles

The first tango ensemble were "tercetos" trio passed and of violin, guitar, often through the accordion was replaced and flute. Beginning of the 20th Century, a new trio formation of violin, piano and bandoneon. The standard ensemble consists of bandoneon, guitar, violin and flute is the composer and band leader Vicente Greco (1888-1924) back. Widely owned sextets consisting of two violins, two bandoneon, piano and double bass.

VI. Dissemination

The charm of the exotic and the New Tang helped the early 20th Century to the celebrity. The tango was first in the ballrooms of Paris. From there it spread to London, Germany, Italy, Russia and New York.
The Tango was initially a challenge to the moral and social Values. To gain entrance to the tango in European ballrooms, some figures were changed significantly. The basic figures were but what shocked as many members of French society.
Around 1930 came the Tango in Europe out of fashion, as he advanced in Argentina. It formed out of two main currents, the way traditional performance and development. While economic growth has developed the modern tango and the tango-song reached the peak of his fame. The ensembles have been enhanced by including string, wind, and percussion instruments.
The Golden Age of the tango was in the 1950s to the end, as the subsidy funds of the tango cafes have been cut drastically. The large dance orchestra were replaced by smaller ensembles. The big difference was that the audience did not attend, but only listened. So the concert tango became fashionable in the developed of the "nuevo tango", the tango vanguard. In the 1960s, involved Astor Piazzolla (1921-1992) and bandoneon player in the creation of the new tango. Piazzolla was born in Mar del Plata and grew up in New York. As a composition student of Gina A. Ster and Nadia Boulanger, he went first in Buenos Aires, then to Paris. He added the tango jazz elements, such as the enlargement of the chords, and created its own avant-garde tango style. He also blended elements of tango tradition with experimental techniques and advanced instrumentation with the electric guitar. He revolutionized thus the tango scene, which initially met with the vast majority. With more than 750 works, including film and theater music, Piazzolla enjoyed international fame, which continues even after his death.


VII Around the Finnish Tango Tango


The Finnish tango is the Argentine Tango of the 1930s are very similar. The Finnish version is mainly in minor. The lyrics are mostly sung in Finnish and German, but English is before.

Tango africano
Inscribed in Cuba a special rhythm for scenic performances with dances of former African slaves.

Tango andaluz
The complex of English flamenco dance belonging song whose music is not rioplatense with the tango is related.

Tanguinho / tango brasileiro
The Tango was used in Brazil to hide the first adaptations of Habanera, which were not recognized by the community. The Habanera is the Cuban variant of the English "contra danza". Ernesto Nazaré often used as the name "Tango Brasileiro" for his "lundus", "Choros" and "Maxixe" to prevent access to that society at the time and music critics alarmed and cried out to the scandal.

tango canción
General term for the sung tango.

tango congo
At the beginning of the 1920s in Cuba resulting song form. It is a mixture of Creole and Afro-Latin American components, which are hardly in relation to the real tango.

Tango incaico
A variant of the tango in Bolivia, enriched by Indian-mestizo components.

Tango Milonga is
Originally it was a rural version de Tango, which is already created before 1900. In 1889, the milonga "La Estrela" by Alberto Poedestà listed. Later rhythmic elements of "Candombe" with the Tango were mixed, so that was a new form, the milonga is called. Candombe is an Afro-Latin American folk dance, in the region of La Plata 19th century is from the "Tambo" emerged. The root word may be derived from the "Candomblé". The Tambo in turn is a dance of African-American population of Uruguay, which is listed but not today.

Tango Romanza
romance Hafter Tango, which is usually accompanied by guitar and connected with sentimental texts.

Tanguinho
Peruvian version of the tango in 4/4-time. Was used mostly interpreted through dance orchestra, but is now little more widespread.

Tanguista
name of the artist or creator of the tango.

Tanguito
Venezuelan version of the tango, which is not widespread yet.


VII The Lunfardo: A small vocabulary

Here is a small vocabulary of Lunfardo. It is interesting to observe how it is around the laziness, the women, machismo, sex, the drunkenness, crime many different concepts exist.

Abanicarse "fan" to disappear, leaving
Abotonado "zugeküpft" married
Abotonarse "is zuknüpfen "marry
Academia: dancing place where you can, drink and women can take
Aceite constitutes el" add the oil, "shoot
Aceite, tomarse el" take the oil, leaving a place quickly
Aceitunas, cambiar el agua de las: "Change the water in the olives, urinate
Acomodar" reconcile "with, influence, hit
Acomodo: actually" insinuation, commenting, "significant influence.
Al Pucho: eigenltich is "Pucho" a cigarette, a cigarette butt. Here it means immediately.
Afrecho: Sexual appetite
Alambrada guitar
Alcancía: Prison
Ambiguo: actually means ambiguous here effeminate, effeminate man (homosexual)
Angelito: actually "little angel", here with the meaning of naif
Angelito: A little angel is also a tool that allows you the doors from the outside opens. Antenas: "antenna" ears
Artículo, is: "give the product" really be attentive. "
Arrugado: eigntlich" wrinkled, wrinkled ". Here it means fear, fear, and it also refers to the bandoneon (with its many "folds").
Asfalto: actually "Asphalt". The experiences that you made in life.
Atorra: Lazy man
Atorradero: Modest residence, home of one's lazy or singles.
Atorrancia: laziness
Atorranta: Prostitutes
Atorrante: shameless, cheeky, bastard
Atorrantear: nothing to do
Atorrantismo: laziness, indolence
Atorrar: sleep, lazy man, immoral woman
Ave Negra "black bird" lawyer


Baile: Actually, "dance" here in the sense of chaos, disorder
Bailetín: a little dance party
Bailongo: derogatory term for dance party, chaos, combat
Balco Near: "Balcon" actually refers to a terrace here in the sense of watching look at.
Banana, muy de la: excellent
Bandola: bandoneon.
Barra brava: Gang.
Batuque: Chaos
Bebe: brothel
Beberaje: Alcoholic beverage
Bulevar: a wide street with a small square in the middle
Burro: "ass" here to mean stupid
Busca / Buscaglia: Prostitutes

Compadrada: The typical behavior of a "compadre" or "Compadrito.
Compadraje: a group of "compadres."
Compadre (adj.): beautiful
Compadrear: brag
Compadrito: boastful, braggart
Compadrón: arrogant, conceited
Corno, un: a "horn" here to mean anything, it does not concern me, I'm not interested.
Costiya: Mrs.
Crepar die
Culo: luck / misfortune
Cuna: Influence, penis.
Cuore: heart, from the Italian "cuore".

Dandy: a very elegant and good-looking man
Dante: active homosexuals
Darique: a play on words, the reversal of "querida", my dearest
Dientudo: Piano
Dopado: Doped.
Drago Near: flirt.
Dragoneo: flirting
Drogui: Alcoholic beverage
Droguista: drunk

Elemento: "element", used here to mean
Encopado woman: drunk
Encoparse:
Encopetinada get drunk: drunk
Encordada / Encornada:
Escoba guitar, guitar
Escobero guitarist.

Faca: white weapon
Fame: hunger, appetite
Fana: steal
Funda:: fanatical
Fanar Preservative, actually a "socks"
Fundas: Socks

Garaba / Garabita: young woman
Garabito: boy, lazy
Gato : arm
Gavilán / Gavion: the one who seduces a woman
Gilería: a group of stupid people
Grata: Thief
Gratarola: free, free
Grela, Woman, dirt
Guitarrero: charlatan, guitarist.

Hacer: steal, rob
Hamacarse: hard work
Hecho: drunk
Hembra: Mrs.
Hembraje: Group of women
Hideputa: son of a prostitute
Húmedo "wet" drunk here

IBM: Head
Impermeable " water-proof ", here Preservative
Indiada: Gang


Jirafa: Lantern
Junta: Group

Kaput: end (an allusion to the Germans)
pounds, está un: super
Kilombificar: complicate, disrupt
Kilombo: brothel, disorder

Laburador / laburante: Working
Laburar: Working
laburo: Job.
Leche: Happiness
Lechero / a: man with a lot of luck
Leona: "Lioness," a very beautiful woman
Lufanía: the muse of Lunfardo
Lunfa: Lunfardo (slang)
Lunfamanía: the habit of speaking Lunfardo
Lunfapoesía: Lunfardo seal
Lunfardesco: what is related to Lunfa
Lunfardía: the world of Lunfas
Lunfardo: criminal, thief.
Lunfardología: Lunfa-science, here, of course, meant ironically
Lunfaverseante: Lunfa poet
Lunfo / a: large

Malandra / Malandraca: criminal
Malandrinaje: the criminal world
Malandrino: criminal
Máquina: a very beautiful woman
Masacrar: kill, kill
Masacre: Killing
Matadero: Sexhotel
Mestizo: Piano
Metejón: love, passion, tenderness
Milanesa: Lie
Milanesero: liar
Millonaria: Syphilis
Milonga: Kabaret, Dance Party
Milonga: Tanzpary
Milonguera: young woman who works in cabaret
Milonguita: a woman with bad habits
Mina: Mrs.
Minaj: a group of women
Minerío: a group of women
Minerva: Women
Minola / Minon / Minusa: Mrs. Mirante
/ Mirones / Mirón: Eye
Morena: eat
Morfeta:: the Dunkehäutige, firearm
Morfar Hermaphrodite, Gay
Morfetear: eating
Morfi: the food
Morfilar: eating
Morlaco / Morlacos: Money
Mortadela: actually an Italian meat loaf, this dead
Mosaico: Mrs.
Mosca / Moscarda: Money
Mosqueta: Money
Mueble: Sex-Hotel / woman
Muerto: an expensive bill
Mujerage: a group of women
Mujica: Women
Mus: Silent
Musa: lie
Música: Money
Music Ante / Musiqueros: Musician

NP (No place): Loser
Nacarado: bandoneon
Naifa: Young woman
Naif: White Weapon
Naranja: nothing
Narigada / Narigazo: "Big Nose", drug-nose (an allusion to cocaine)
Narigueta: nose
Nariguetearse: Drug nehem
Naso: nose
Nasún: someone who has a big nose, and the metaphorical sense

Olivo, is el: fire.
Olivo tomarse, el: leave to escape
Olivo: goodbye
Grandpa: Idiot
Opiarse: bored, are upset
Oxidado: tired, worn out

Pan Dulce "sweet bread", the Hinertn, especially if he is big
Papusa: a very beautiful woman
Paralítico: a stolen vehicle that does not can drive
Pato: arm
Patota Gang.
Pavo: Butt
Pebeta: young woman
Pebete: young man
Percanta: Woman, lover
Percantina: woman, with reference to their sexual organs
PIBA: Young woman
Pibe / Pichibirlo: Young woman


Quebracho: Wine
"burn" actually here to kill with a firearm
Quilombo, tener:: Queco: brothel
quemar experience have
Quilombo: brothel, disorder
Quinielero: illegal player
Quinta del NATO cemetery
Quiveve: brothel

Rabiosa: firearm
Rabona: run away from school
Ragú: Hunger
Ratearse: the school cut off
Ratero: thief, child cuts off from school
Raviol: Pack with cocaine
Reventar al burro: foci a box / box, kept the money
Ropero: bass


Sacudir: say tell
Salame / Salamin: Stupid, stupid
Sardo: Sergent
Sario: Komissar
Seco: Actually "dry" here to mean poor
Seisluces: Revolver
Semáforo: actually light. Someone or something that brings bad luck
Sombra: actually "shadow" here to mean jail
Sonar die / commit an error, fail
Sonatina, la: Death

Tetera: BH
Tipa: jail
Tira:
Tordo policeman, lawyer or doctor
Torta / Tortera / Tortiyera: lesbian
trolo: Gay.
Trotadora / Trotera: Prostitutes
Tumbadero: Sex-Hotel
Tumbado: depressed
Turra: Prostitutes

Untar: actually "oils, grease, this bribe, entice
Upa, de: free, free
Upita: Butt / fortune

Vagón, un: lot, a large number
Vagoneta: lazy, slow
Vaivén: Knives
Valenciano: someone who plays
Vinacho illegal / Vinagriyo: Wine
Viniso: drunk
Viniyo: Wine
Viola: Gitar
Violero: brings a person misfortune guitarist

Yetatore. This word could come from the Neapolitan dialect. The word "jettatore 'designates the same thing and
Yigoló: A young man who lives with an older woman
Yira / Yiranta / Yiradicta: prostitutes
Yirar: Hiking.
Yiro: Prostitutes
Yunta: a pair
Yurno: the day. This word seems to originate from the Neapolitan dialect. "O juorno" means the day that is
Yuta: Police officer

Zafar: escape
Zapar: Work hard
Zarpar a: Leave here very quickly
Zumbarse: use drugs
Zurdo: the heart

Vip 3 Digit Number And Wheel Suit Case

musical traditions in Brazil: A for ...

In this column, I'll every month to present to the alphabet a small vocabulary of the musical traditions of Brazil.

ABC (A-Be-Ce)
Brazilian romance, which is common in the areas of the country's northeast. Each verse of ABC begins with a letter of the alphabet. The other verses are improvised. A stanza consists of a quatrain are seven or from a sixth row. The verses are traditionally accompanied by a viola (guitar) or Sanfona (accordion). The subject matter ranges from historical events to everyday problems, love stories to satirical texts.

Arara
folk dance, which is in the states of Amazonas, Rio de Janeiro, distributed Pernambuco, Paraíba and Rio Grande do Sul. Couples dancing around a man who swings a stick and "Arara" calls, which he hands over the floor and continues to dance with his partner, while the other occurs in the middle of the circle.

Arrasta-pé
Regional variation of the "forró", consisting of the rural Samba, which is "samba campirano" emerged. It has been identified mainly in rural areas of São Paulo. The lyrics are fun and rustic, the monitoring carried out by the "violation".

Aribú
A song form, which is a variant of "Lundu. This song form today but hardly common.

Anu
regional form of "fandango" in southern Brazil.