Thursday, August 3, 2006

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Immortalitas IV - The Return of Religion or replying to a "culture of execution"

The destructive response:
The widespread strenuous and anxiety-ridden way of unbridled nostalgia at a moderate time to breastfeed, it seems more and more people into various forms of escape move escapism is the scientific term for the goal is always.. the same: the gray and unbearably strained vorfindbaren banality of everyday life to escape.

wrote decades ago, the psychotherapist Rudolf ape-man, under the title "Sick in the company" a brief analysis, in which he enumerated the possibilities of escape:

• An escape route in the plays of life in the theater, which has a capture , in movies, on TV, in a dream boat or Black Forest clinic.

• It is also possible to hide the everyday life easier. These help alcohol, even more to flee into the dense experience paradise of drugs.

• Others are psychosomatic illness. This is one of the most socially rewarded and accepted forms of escape

• Also, the way in many a sect is covered by the alignment. Seen sects so special worlds, an alternative to the existing world, with strict orders and authorities, which enables its members, the release given the enormous complexity of life is becoming tiresome burden of freedom to be risky .

• Finally, the suicide of one of these forms of escape from the gray unbearable. The Viennese psychotherapist Erwin Ringel describes the path to suicide as a becoming ever more closely experienced the life-world. Narrowness and fear play into each other. Suicide is the last then himself by leaping into a new size.

If you have that right to dedicate what our modern culture, a kind of "präsuizidales Syndrome": because it is a pure worldly world level, with ninety or slightly more years of life - a time and a living room by seems only to occur life?

The creative answer:
There is next to the flight also rising. This has now got a name in research and is called "Respiritualisierung" or "return of religion".

It is a rebellion against the banality of a flat becoming unbearable, one-dimensional life. It is the revolt against the constant Klein BE, the many everyday derogatory executions. In addition, people rebel against the subtle reach of the people to the people. Since require high-tech medicine, which is a healthy person and use the entire technocracy to design the new creation. Modern economies in turn followed the growth of shareholder value, regardless of the economy on the people involved. The modern administration can turn to people about screening microchips into its genetic structure and his daily life until the last corner and follow sound out. What is man? Clonable biomass, a genetically to regenerating cells? Less value than the capital? Verplanbarer a case? Respiritualisierung may be the protest against such humiliation and exploitation of people.

We are already facing a key question of who owns the research has rarely been sufficient evidence. After all, there are useful clues. The question is what happens because in the course of Respiritualisierung? It is a phenomenology of these new spiritualities, which are on the rise. I'm trying out a few points:

search for Me: Modern people are going to their middle, I lost her. You are literally beside himself thrown to the periphery of the wheel of life. Respiritualisierung other hand, the search for the self, towards the middle, after contact with their own depth. It is the exodus to the ego, as the psychotherapist Hans-Willi Weis, the spiritual scene knows from personal experience, that search has after I called. To discover the self that thinks both his own dignity and self-confidence to recover, and that answers any culturally common devaluations and mental executions. The trail leads the seekers in different depths. Some end up self-satisfied with themselves, others continue to dig, however, and find themselves in archetypes learn to see themselves as God's mind to do it with a dignity that no one can take them longer. Even more: they thereby gain an unassailable to all requests from people trying to humans. They do in fact agree related back to God (which is one of the etymological meanings of religion) and therefore refuse to subject themselves to anything in the world. It must be recalled here that this is the reason why the religion is simply the last enemies of totalitarian systems. For religious people deny total access worldly powers (in politics, economy, consumption). Especially the supposedly non-political, the religion turns out to be here as a politically explosive. "Totalitarian" are also other systems: the consumption, the culture of having to have the culture of execution.

search for weaving and networking: Modern cultures isolate people. The positive side is the appreciation of individuality and freedom. The shadow, however, loneliness, isolation and psychological homelessness. In the course of Respiritualisierung people are looking for new interweaves and networks. These are found in very different ways. Some see themselves as one with the cosmos, others rely on ancient mystical traditions and experience to be a part of the divine, of the whole, the origin and beginning. Such cosmic and mystical experience are interwoven through the entry into supportive communities, where no only the dignity but a deep unity of all experience are central.

search for an ethics of total love, in many areas of modern life, in relationships, in offices, leisure, there is often a lifestyle that is not build. He is born of his own lack of self-worth, by the arrogance of others and more than offset by the small, yes or low Make the other. What is left behind is the respect for others, solidarity with others is ultimately the love. The culture of the "execution" has little stock of solidarity in love with each other. People feel like themselves from such a destructive way of life are covered. They also remember how they themselves are victims of such a degrading humiliation. Mutually respectful, beneficial and therefore building up synergies have become rare in communities and industrial relations. In contrast, however, desirable to those who have made a spiritual quest. Looking for a new ethic, an ethic of total love which goes up and does not executes. Vast said: to the others, to himself, to creation, to God. Such love, they feel, is just the action side of her being. Because of their origin, they are the loving start, they call God, owe, they also carry the possibility of how to be God lovers or become. There are now many managers who wonder how people can be given on such a spiritual quest with a new quality support. This question now no longer the old Christian churches alone. The willingness to support spiritual seekers, is found in many old and new religious movements and groups.

It has been common mitgesagt that not everything today in spiritual support to the "religious market" is to be found true, well, so salutary: Only the truth will set us free (Gal 5:1) . The old doctrine of discernment gets a new weight. However, it must be ensured that the child is not thrown out with the bath. Some say yes, that what announces itself as to new spirituality is of the devil's house and theologically objectionable. However, it is my position that any spiritual quest as a moment of serious human deserves respect. Searching is perhaps the strongest form of God's work in a man. Only those who move can also move up to God, and more particularly it can move there by God Himself to God as its origin and its source. Can definitely be further asked whether the proposed one-way or the best or the right one. Spirituality of modern criticism is a part Criticism of religion, around which is not today held Respiritualisierung: And that's in their best interests, I insist. Because nothing hurts more spiritual seekers, as if they have a way has been proved that does not lead to the goal of their ht Sehnsuc .

(source: Prof. Dr. Paul M. Zulehner: Megatrend religion - the religion of hand again?)

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Immortalitas III - The Return of the religion or the desire for happiness

desire is that key word with which modern anthropology, the mystery of man understand investigated. The French philosopher Jacques Lacan sums up the people with the single word "desire", pure and boundless desire, by Space and time limit, not all areas of life pervading love, work and entertainment. However, he adds, as it at correcting that man is always at the same time "manque": Lack, deprivation. Thereunder because we suffer too: The fact that the bills remain always open, that we are always looking for more than takes place. It is the suffering of the finite, with the reconciled after Erikson, one of the highest achievements in the last stage of development of man.

live like that? It is an art in all cultures, just this excessive desire to learn of the human heart to live. People have tried over time in very different ways: religious, atheistic, pragmatic.

The religious way: The ancient cultures entered to the path of religion. This reminds people of who he is, in effect, from a divine origin, born of his nature (Acts 17:28), that is marked by inordinate desire, from the origin to live to be like this and that to return home. From the origin, but lives only the beginning, who like the source is pure love itself: what to fear and loneliness free.

The atheist way: Our modern culture has, however, separated from religion and its old memories. It is now the age of Nietzsche, in which God is dead. The man is now that he holds God to be dead himself delivered. The atheist philosopher Henri Lefebvre is, the excessive desire a God-free sense. He refers to moments that take place in our life, shall we call parties. In this he includes the love, good work, recognize the game. In these moments, as it fulfilled the desire. Because they protrude from space and time. When you say to the moment "stay however, you are so beautiful ", or when we want to say to the men on the Mount of Transfiguration of Jesus:" Here let us make three tents happen ...", then such moments. However, Lefebvre said that the failure moments. The time of the "Transfiguration" is over, the man finds himself disillusioned again in the narrow limits of space and time. If there is a sense of unbridled desire so only that there are sprinkled into everyday life are those moments - and the more rare? The writer Ernest Hemmingway does in his novel "For Whom the Bell Tolls" the wise old man has become the soldier who loves her daughter, saying: "Only three times in life shake the earth ... "For the life Lefebvre suggests, is to deal with a reconciled daily and to avoid a ruined life. The angst-filled life can be destroyed to non-parties, but perish. In a reconciled fear everyday low contrast, we can again fall festivals to which we remember and we long for. It is the longing for the moment, the festivals, which keeps us alive. The Austrian poet Marie von Ebner-Eschenbach sealed in that direction when she writes: Not to be regretted are those who do not go their dreams come true, but those who have none.

The pragmatic Travel: The majority of his contemporaries is neither religious nor atheist. They are pragmatic in search of happiness: 85% of his contemporaries are pursuing the goal to try to get the most out of life, the force of desire in them (yet) been destroyed. But as the pragmatic contemporaries are religiously illiterate, they work with the religious life of art is not available. The loss of religion has also meant that you expect nothing more of my earthly life. Their lives are they were "the last opportunity" (Marianne Gronemeyer). But since it forces us to accomplish the feat of the excessive desire to perform at a moderate time to To bring force to heaven on earth. So try to get in love, work and entertainment optimal sorry free happiness. This, however, to live faster and faster and hasty. Such a life is hard, onerous and demanding. The fear appears, "being left behind", which in turn entsolidarisiert us from one another. Loneliness is the price. And from the deep-seated fear for ourselves start to his contemporaries, to see life as other competitors. It follows a culture of depreciation of the others who constantly condemns, judges, and executes rather than encourage, build and support (Henri Nouwen).

(source: Prof. Dr. Paul M. Zulehner: Megatrend religion - the religion of hand again)

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Immortalitas II - The fear of death

Two things are sure, Frederic Beigbeder notes in his novel The Romantic Egoist "fixed" The Death of the Earth and your own. He raises the question of whose death should come first. The death of the earth is preferable, because it would end out the same thing. First, there is not a danger to me something that is to miss the future. With the death of the earth to die also with all the other people at the same time. It escapes the solitude, the lonely death. Those are the two reasons why all the generals and warmongering of the story really worked toward the apocalypse, the death of the earth: The fear of missing a lonely death and the fear of the future. That is selfish, there Beigbeder and his alter ego, Oscar Dufresne, but who was now looking for an egoist, not for a good death. That this was the inevitable end is already clear.

This is a very cynical view of the world, but it corresponds to that of our most enlightened contemporaries.

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Eugenio Tavares (1868-1930)

Eugénio de Paula Tavares nasceu na Ilha Brava, Cape Verde, no dia 18 de Outubro de 1867, filho de Tavares e Nozolini Eugénia Roiz de Francisco de Paula Tavares. A mãe não às complicações sobreviveu Thurs parto e morreu de febre pubis. O pai foi para a Guerra em Guiné e morreu four years later. Eugene is adopted by Joseph and Eugenia Martinez de Vera Cruz.

Dona Eugenia was the adoptive mother who followed the life of the poet, whom he called "Badinha. In the late nineteenth century, the resort island of Brava was healing and rest for the entire coast of Guinea and Gambia. Genuine haven of Europeans living in the archipelago and neighboring coast of Africa. By the mid-nineteenth century, being the residence of Governors Island. Your employees were teaching various subjects. The cultural background of the poet was influenced by the great figures of Cape Verdean culture of the time as Guilherme Dantas, Augusto Barreto and Maria Luisa Sena Barcelos.

bravense

The Anthem 'Brava beloved, my nest in flower,
The' small and humble Brava! Crowned
formerly of fire and lava, your halo
Today is our love!
Earth Creole, native
- Size and shape of a heart! -
May God keep thee from all evil,
What about the evil you roar in vain.
Daughter of lava and daughter of the sea, the lava
That warms and sea rebeija,
Thy soul, O Brava, as it flaps, Wing dream
released into the air. Never in the storm subsided

Candles candid light of hope, never stopped using
in calm, be strong and sweet
as the nostalgia!
Choir
Your children love the wide sea, The sea
that takes them and brings them space:
weep, break down p'ra not come back,
You sing, turn to your lap!


Eugene was a self-taught, largely thanks to the library where he grew up.
still very early, around 12 years of age, Eugene begins in poetry. His poems were running from house to house, hand in hand, earning renown and grace in the island of Brava, a milieu where poetry was very cultivated. However, learned to play the guitar and Portuguese are said to have appeared at that time his first compositions.
At fifteen, Eugenio Tavares made his literary debut Memories in the Almanac of Luso-Brazilian, presented by poet Luis Medina Vasconcelos.
At 20 years old des got a job at a trading house in Mindelo in Sao Vicente.
Dryness and little vegetation on the island of St. Vincent did not favor immediate in its settlement. But the importance of the Porto Grande has it, soon after, the second largest population of Cape Verde. Mindelo was already a place of culture and universality, a crossroads of morality and human warmth where the youth will wake up to the broad directions set by your destination.

José Osório de Oliveira was born counts as the "Song of the Sea - Eternal Sea" by Eugene Tavares: "One day he landed on the island of Brava yacht Fabulous. A young American woman accompanied her father on field trips and recreation. Eugene, handsome young man with white skin, distinguished gentleman with possession but without the means of wealth and Cape Verde, fell in love and was answered. It was the first of the great loves of his life. But on the day that the U.S. discovered the romantic passion of the daughter, the yacht in the dead of night lifted the iron and disappeared over the horizon without the young man could say farewell to his beloved. Eugene, by dawn, as was his custom, went to the viewpoint of the Great Cross to review the Cavern and Fabulous. Given the Cavern deserted, Eugene rebels and inconsolable uses as was his habit to his guitar and composes the Eternal Sea - Song of the Sea "$


Sea Song - Eternal Sea

Oh eternal sea bottomless endless sea of turbid
Oh oh vacancies! Mar
From you and from the mouths of the world to me only comes
pains and plagues, oh sea
We barely made you oh sea, oh sea
to see what you put me up to heave, to heave your
Breaking the waves
Against the bare rocks
Suspends angry one moment and listen
The voice of my suffering in the struggle stands
That love in my heart broken
In both love and grieve, O Sea
That even seems oh sea, oh sea
A heart panting, gasping in waves by
forges Breaking
his sorrows
Give me news of my love
That one day the winds of heaven, oh pain
Your hugs very angry, led
Their smiles stole
No more envious he returned home, home no longer
vi, O Sea Mar
cold grave
this my dark soul
stole me the light dear love
And left me dead in horror
Oh soul storm tamed
I do not miss the light and hope

What is this longing Who is who
sustains me as loyal, faithful
It's like the most gentle and sweet mother
cruel

In this affliction that hurts shakes
My poor heart, blessed!
Blessed is the hope that there still
promises me a calm so Linda

Marries Dona Guiomar Leça. In 1895, he was named recipient of the Council Tarrafal. Here begins the great tragedy. The Central Office to plead guilty to fraud. Eugene was suspended and prosecuted. He was not arrested because he managed to escape to the United States. My house



O my poor house! Resort honest! My happiness
unparalleled!
I wish I could go on this journey,
At thy shadow life I have left!
It hurts me, it bothers me!
far from thee, my beloved poverty!
The sun does not please me more clear;
Nothing warms me and enlighten me forehead mesta!
My destiny, turbid, petty, nostalgia
In Da Eye sidereal
companion who stayed in the nest,
Drag me to visions of pain, mortal:
And I think that maybe this way
not stop at your shadow never again!

Farewell

You will say to my poor mother, poor thing! What
forgive me not to go, in parting,
Kissing her forehead so dear to severe, Drink
him look holy, holy blessing,
Because this brings me so broken soul
the inconsolable grief of departure
That, sad as those are going in life,
not want to see her forehead hurt.
You may say I take a deep longing within
anguished heart!
That pain is so great, in short, so deep,
That seems to me, have started
The die in this bleak moment in the ship
esfralda wings in the wind.

Eugenio Tavares
June 12, 1900

Exiled

Think about what is most sad and gloomy;
You will, these days my vague image;
gloomy skies - like you've never seen - Never
Doiro the halo a mirage.
The sun - a sun that exists only in name-
Wrapped in coldness and brumagem
Dum never felt cold like you,
our sun looks like a dead image
Imerge the retrans thought
darkest nights, more glaciers,
Pregnant ray and gales;
You will see that years of pain, this time
Past, the longing and tribulations and vital
Far from the sun of your eyes! Eugenio Tavares

Fairhaven, 1900

Later, Eugene back to Cape Verde. He was tried and acquitted. Eugene returned to the island of Brava in 1922 definitely, where he engaged in the teaching and writing. He founded the Musical Troupe bravense to spread warm through the ages.



The Sad Return José Bernardo Alfama

Inside the clarity of the morning plumbea
Island, the sea, resembles a cathedral.
clouds immersed in silence slowly
What a fumear incense
a severe asceticism,
a subtle perfume of old Christian faith. For the glacial
ships the bronze cathedral.
Island, overlooking the sea. And
rise vagamento bathing in tears
The harsh and severe August forehead rocks. Bebe
background silence in the land fulva, adusta. The tear that falls
;
Ea cloud passes, go.
a vast unfathomable grief rorejando. In
cold sweat, clouding the hard rocks
August forehead.
But since the island is the gray oops naked.
Kiss the rage with the sun, teeth to eat fire.
The wind cut him to ribbons the sheet.
emerges and becomes more pronounced.
the sea, moving, naked,
through with sadness, in anguish changes ...
And while away the clouds to disappear if Algid
Kiss the rage with the sun. From
c'roa the plateau to the fringe of lightness
lifeless trees writhe of thirst.
And the sun - and a King fanatic, homicidal -
harassed them to kill.
And laughs to ignite
branches - like raised hands of those who pray -
And the leaves - like open hands of anyone who asks -
Of the dead trees.
In the end, my ship slowly, if approaches.
In my eyes sad tears, shines
Said to ground after a thousand scarce.
And as the clouds go in the vastness
Fleeing
Without a drop of water to send up there. I will give your thirsty
weeping - oh my island!
Of my sad eyes.

In old age, he continues to write and compose. At that time, he writes the warm, which are among the best: "Bidijça" and "Nha Santana."

of Morna bijiça

Bidjiça is a sample account in certain
PA co death by:
But the evening sun old
is bland el Sol, sun Sodade.
Sun
soft ca ta whom.
Skin nha crectheu face. Sun
bland, el sol is like
Pa ta lumiano door of heaven.

Love is love that co quel taste: In the mouth
honey, lebe in peto ...
Love is sea el qualdo estli tame:
co Guem taste, love the rest.

quel Calm sea is the sea of nothing,
Mar quel is angry sea of forest
Love, alas! el when angry and sea, If
el ca el matal ousted ... ta

Love, after a certain age,
When co el feel companionship,
Nobody câ tâ lift Promero,
Without C's to kill Sodade ... Feel

together, labantâ together,
Es and it is known, and it is es ... DRET
co Feel Love, co Gosa subject
coraçam lebe, grace the face ...

Cretcheu is in debagarinho,
In peace, in grace, getinho:
Love pa bo sentil like yourself, is the umbrella
sunset ...

But when el is barbatón,
is worthless, without rhyme or reason ... Nha
Fidjo obi, obi one consejo:
bad sweet love, is love bejo ...

On 1 June 1930, morning, Eugene was talking with some friends, who told him a ridiculous story that was going on regime in the Colony. At that same moment, when friends were laughing at the story, Eugen Die struck by an angina pectoris. The Warm

viewed by José Osório de Oliveira

José Osório de Oliveira, Portuguese intellectual who lived in Cape Verde to the time of Eugenio Tavares. In life, Eugene handed him the manuscript of "Creole Songs" that after the death of the poet, had published. The volume was published in Lisbon, Livraria Rodrigues, in about 1932.

"Morna is the name that designates the same time, dance and songs typical of Cape Verde. Rhythm of the dance, music and words of the songs are inseparable. It is not, in fact, a dance accompanied by words like any other. The fact that the people of Cape Verde dance warm singing (note that this is not a circle dance), clearly indicates that, for him, gestures, words and melody are indistinct forms of the same internal rhythm.

Never, indeed, the soul of a people met, so perfectly, its expression, a unique expression of art. Cape Verde has, in fact, even in a rudimentary state, and decorative arts that characterizes its people. As for literature and music, all its peculiar manifestations take the same form.

can be said, therefore, that in itself sums up the warm feelings and condenses all the artistic aspirations of all Cape Verdeans. "

The strength of Cretcheu

Ca has nothing in es bida
But that great love
If God has so far ca
Love is still the greatest ...
Bigger than the sea, sky
But among all Cretcheu From my
is still the greatest evil
Cretcheu know
It is di quel my
He tchabe
is it that we open sky nha
Cretcheu bad ... You know
quel Thurs crem
Oh yes
Death shall lose dja well
O chetcheu force, we opened
nha wing flower reaches
Dixam bah sky
pony odja bah bah Nôs Lord
pony pedil
seed of love coumarone onth di
my pony and gives everything all djente
Pa bah shell sky

The Creole

The Virgin Mary Mother of Pure
God would
Creole?
Yes, in my dreams, it
stare, brunette,
daughter of commoners, Morena

Creole Queen of Heaven ...

In his sad eyes
Boiados love,
There are consolations,
For all the pain. The sweet little flowers

Creole is like the violet aroma, color.


Links:
The warm and biographical details were extracted by página oficial de Eugenio Tavares, bem com documentada photos and testemunhas: http://www.eugeniotavares.org/

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Chiquinha Gonzaga

Francisca (Chiquinha it is the diminutive) Edwiges Neves Gonzaga was born October 17, 1847 in the city of Rio de Janeiro . The daughter of a first lieutenant, who later became mareschiallo, José Basileu and a mongrel named Mary. Their union was formalized until three years later, given the fervent opposition of his father's family. Chiquinha received a good education and musical education.

In 1863, with the tender age of sixteen she married Jacinto do Amaral, from which soon had two children: Maria João Gualberto do and patronage. Her husband, possessive and jealous, Chiquinha forced to follow him in his arduous sea journeys to Paraguay, during which slaves were transported, weapons and soldiers. It was an unhappy marriage because her husband forbade her to cultivate the music that she loved so much. Her husband stood before a dramatic choice: either he or the music. It seems that Chiquinha responded: "But Mr. husband, I do not understand life without harmony"
He decided to leave her husband and at the same time she became pregnant with her third child, Hilario. At that time, in a patriarchal society, it was something unacceptable for a woman. It was repudiated by the company and declared her dead father.

began to attend a typical male of the popular musicians. He became a friend of the flutist and composer Calado, which is considered one of the founders of the "chorinho" in Brazil. He met a wealthy engineer and bohemian, João Batista, with whom she had an intense and important report and to whom she bore a daughter, Alice.
When they parted, Chiquinha went to live in the "bairro" (the district) of São Cristóvão Rio de Janeiro. To survive, he taught in special schools, and of course piano lessons.
At that time he started playing in a group of choro. This is the first woman in the history of Brazilian popular music. In fact it was played only by chorinho musicians men.

became known with his first polka, "Atraente," which he published in 1877.

addition to being a musician with a life outside the norm, Chiquinha committed itself politically, taking part in revolutionary movements of 1880 and for the republic as well as in demonstrations against slavery (which was abolished in Brazil in 1888).

In 1885 he was able to overcome another barrier artistic piece he staged his play "A court na Roca". In fact the two previous pieces, "Viagem ao Panascia" and "Festa de São João" were not accepted, because written by a woman, a fact unprecedented up at that time.

In 1889 he composed the first 'brand' (Marcia) "Abre Alas" for "cordao de Ouro", which is still considered one of the first carnival marches.

In 1899, fifty-two years, began an affair with a boy who is younger than him, João Batista, who was only 16 years. Chiquinha submit it to the company by pretending that it was his son. The relationship lasted until the death of Chiquinha.

Since 1902, Chiquinha went three times in Portugal, working in "Teatros de revista. In 1912


music a "Burlet" called "Forrobodó" with texts by Charles Bettencourt and Luis Peixoto, and that makes an important step in the Brazilian theater. Followed by other theater pieces and even a guitar solo of his famous tango "Corta-Jaca" in 1914 and presented at the "Palacio do Catete, at the behest of his wife President Hermes da Fonseca de Tefe Nair. We already know, that was a scandal ....

Chiquinha also be hired for the rights autorali and was co-founder in 1917 of a Sbat (Sociedade Brasileira de Autores Teatrais), the Brazilian company of playwrights.

Chiquinha Gonzaga died at age 87 years 28 February 1935 in Rio de Janeiro until the end and using his creative abilities, lasciando un importante patriomio culturale e musicale in Brasile.